Isaac Clements has worked exclusively within the Canadian film and television community for over a decade. Beginning his career in the Acquisitions and Theatrical Marketing department of the boutique distributor ThinkFilm, he was able to gain valuable exposure by working alongside some of Canada’s most respected pioneers on films such as the Oscar nominated BEING JULIA, the gritty urban drama SUGAR, THE ASSASSIATION OF RICHARD NIXON starring Sean Penn and the critically lauded documentary FESTIVAL EXPRESS.

In the years following he has worked in a number of different facets both in Canada and for companies abroad, including Stirling Film and Television (Ireland), Telefilm Canada and the Canada Media Fund. During his tenure at Telefilm Canada, he worked alongside a multitude of in house professionals as well as countless filmmakers on such funds as Writer’s First, the Theatrical Marketing Fund, the Alternative Distribution Fund and the regional Development portfolio that included over 100 feature film projects.

Since then he has held the position of Business Analyst for the Canada Media Fund and within the Canadian and US production financing departments of E1 Entertainment where his portfolio included the Stephen King series HAVEN, MTV USA’s remake of the controversial UK series SKINS, AMC’s HELL ON WHEELS and CALL ME FITZ.  

Recently he served as Chief Operating Officer for BerkshireAxis Media and Distribution Inc. where he managed the production equity arm, as well as oversaw the release of acclaimed features from renowned filmmakers including Michael Winterbottom (Everyday) and Ben Drew (iLL Manors) and the critically lauded documentary HOW TO MAKE MONEY SELLING DRUGS, produced by Adrien Grenier. 

Currently serving as Vice President of Production and Development at Buffalo Gal Pictures he focuses on the late stage packaging and financing of BGP’s slate of films and television both IP and Service. Since joining BGP Inc. he has served as the Senior Production Executive on show such as SUNNYSIDE (Rogers) and THE PINKERTONS (Netflix) and films including BOREALIS, CONSIDERING LOVE AND OTHER MAGIC and the animated feature film OZZY.  His producing credits include the WW1 psychological thriller TRENCH 11, and the forthcoming SEANCE from the team behind You’re Next and The Guest. 

Jen Beasley brings a wealth of experience in a multitude of fields to her present-day endeavours. A WGC-nominated Canadian writer with comedy and drama television as well as web-based screenwriting credits to her name, Jen has been active in the film communities in both Toronto and Winnipeg for almost two decades. Following a ten-year stint as an assistant cameraperson with various film and television productions (during which she learned the lay of the land when it comes to effective script structure) and before that as both an elementary and high school teacher (during which she learned the effectiveness of time-outs) Jen segued into the television story department, beginning with the Showcase comedy BILLABLE HOURS.

Upon graduating from the Canadian Film Centre’s Prime Time Television Program in 2009, Jen was hired as story coordinator on the award-winning LESS THAN KIND, studying comedy from no less than The Kids in the Hall’s Mark McKinney. Her co-written script for the finale of the second season was nominated for a 2011 Writers Guild of Canada Comedy Writing Award. From there she went on to work as a story editor for Season Four of the acclaimed series. Subsequent work included screenwriting credits on such series as Showcase’s CRA$H & BURN and CBC’s MEN WITH BROOMS as well as story editing on a number of Toronto-based projects in development.

In addition to her position in various television story departments, Jen was also employed as Creative Development/Project Manager for Paquin Entertainment Group in Winnipeg, during which time she penned their associated company Koba Entertainment’s live theatrical touring production of Mike The Knight, based upon the popular Treehouse children’s series.

As a Production Executive at Buffalo Gal Pictures, Jen was integral to both the development and production divisions and is adept at shepherding a project from the initial stages through financing to delivery.  Her supervising producer/production executive credits include A VERY SORDID WEDDING (2017), LOOK AWAY (2018), SIBERIA (2018) and JT LEROY (2018.)

In the fall of 2017, Jen was named Buffalo Gal Pictures' Head of Development, and currently oversees the company's diverse feature and television slate.   In addition, since 2019 she has served on a number of On Screen Manitoba board committees and was recently named Co-Chair of its Board of Directors.

Kerri Bebak is a Chartered Professional Accountant with extensive experience in budgeting, forecasting, and financial analysis. After spending 24 years working for a leading yearbook manufacturer as a Financial Analyst and Accounting Manager, Kerri transitioned into the film industry, joining Buffalo Gal Pictures as their Corporate Accountant in December 2019. In her short time with Buffalo Gal, Kerri has learned four different accounting softwares; Global Vista, Smart Accounting, PSL, and Sage.  In addition, Kerri has worked post accounting on the feature films FLAG DAY and SEANCE.